My art practice explores materiality, legacy, and the limits of representation. I collage and manipulate photographs, drawings, textiles, geological materials, found objects, and collected ephemera. These materials and documentation, including my own memories, act as instruments that help me construct an incomplete narrative; I see my work as questions and notations in the margins of life as a whole. 

I am interested in what happens when my materials are removed from their original contexts and layered, obscured, cut, or rearranged. Through the merging of edges, I consider the distance between lived experience and its documentation, the inter-relationality between all things, and the ways memory continually alters what we believe we know. 

Walking has become an important method within my art practice. As I move through spaces, I consider how a place is an ever-evolving body of traces; a conglomeration of human, animal, and geological histories. My work is motivated by ambiguity and incompleteness, asking us to consider where memory, material, and meaning remain fluid and unresolved.